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Mural—In Memoriam: Cuenca @ Cuenca Bienal, Ecuador (2016)
acrylic on wall
In Memoriam: translates to In Memory, this phrase is used in obituaries. This is a mural performance that has a short life span. It can be 3-4 weeks for the creation of the mural and when the narrative is finished it is deconstructed and the mural is destroyed.
Exhibition History
2016-2017 - Bienal de Cuenca - Impermanencia -
Mural—In Memoriam: Cuenca @ Cuenca Bienal, Ecuador (2016)
acrylic on wall
In Memoriam: translates to In Memory, this phrase is used in obituaries. This is a mural performance that has a short life span. It can be 3-4 weeks for the creation of the mural and when the narrative is finished it is deconstructed and the mural is destroyed.
Exhibition History
2016-2017 - Bienal de Cuenca - Impermanencia -
Mural—In Memoriam: Cuenca @ Cuenca Bienal, Ecuador (2016)
acrylic on wall
In Memoriam: translates to In Memory, this phrase is used in obituaries. This is a mural performance that has a short life span. It can be 3-4 weeks for the creation of the mural and when the narrative is finished it is deconstructed and the mural is destroyed.
Exhibition History
2016-2017 - Bienal de Cuenca - Impermanencia -
Mural—In Memoriam: Cuenca @ Cuenca Bienal, Ecuador (2016)
acrylic on wall
In Memoriam: translates to In Memory, this phrase is used in obituaries. This is a mural performance that has a short life span. It can be 3-4 weeks for the creation of the mural and when the narrative is finished it is deconstructed and the mural is destroyed.
Exhibition History
2016-2017 - Bienal de Cuenca - Impermanencia -
Mural—In Memoriam: Cuenca @ Cuenca Bienal, Ecuador (2016)
acrylic on wall
In Memoriam: translates to In Memory, this phrase is used in obituaries. This is a mural performance that has a short life span. It can be 3-4 weeks for the creation of the mural and when the narrative is finished it is deconstructed and the mural is destroyed.
Exhibition History
2016-2017 - Bienal de Cuenca - Impermanencia -
Mural—In Memoriam: Cuenca @ Cuenca Bienal, Ecuador (2016)
acrylic on wall
In Memoriam: translates to In Memory, this phrase is used in obituaries. This is a mural performance that has a short life span. It can be 3-4 weeks for the creation of the mural and when the narrative is finished it is deconstructed and the mural is destroyed.
Exhibition History
2016-2017 - Bienal de Cuenca - Impermanencia -
Mural—In Memoriam: Heroic Procession @ MANA Contemporary Art, Chicago (2016)
Novovolor on plaster wall
In Memoriam: translates to In Memory, this phrase is used in obituaries. This is a mural performance that has a short life span. It can be 3-4 weeks for the creation of the mural and when the narrative is finished it is deconstructed and the mural is destroyed.
Exhibition History
2016 - Residency @ MANA Contemporary Chicago -
Mural—Untitled @ CEART, Rosarito (2016)
Collection, CEART Rosarito
Exhibition History
2016 - CEART ROSARITO Art Fest - Paralelismos Contemporaneos -
Performance: Heroic Procession
Heroic Procession is made up of Hugo Crosthwaite, violinist Marilu Salinas and New York based butoh dancer Theresa Magario. The three artists have set out to explore the intersection of performance art and social justice. The improvised production lasts 30 minutes and seeks to trace the emotional and physical journey of America’s immigrants, particularly the procession between leaving home and setting foot on American soil. The production takes place in this interstitial space, between man and nation, between nation and nation, and between graphite, dance and sound.
Crosthwaite, known for his large scale graphite drawings, continuously draws faces and bodies of migrants, one after the other, growing the crowd. Salinas, with a pre-recorded collection of electronic ambient audio, fills the space with sound, interjecting this, softening, and at times aggravating, with her delicate live violin performance. Finally, Magario, adds movement in the intuitive and conceptual style of butoh. The artists perform in threeway symbiosis, together seeking to present a universal humanistic side to a very real, very political and local issue. -
Escalando/Scandal (2017)
pencil, charcoal and acrylic on paper
Private Collection
Exhibition History
2017 - Mano a Mano -
Gun (2017)
pencil, charcoal and acrylic on canvas, 36 x 36 inches
This painting is about the fetishizing of the gun culture in America. The story of the Three Graces is used to explore this issue, the three goddesses - grace, charm and beauty - have added the seduction of a gun to their charms.
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Mural—Ana Who They Pulled Out of the River (2017)
acrylic on plaster wall
Mural for Omar Lopex film "Ana Who They Pulled Out of the River"
Exhibition History
2017 - Bread and Salt Gallery -
Nymph Forest (2017)
Novacolor on 4 wood panels, 8 x 16 feet -
Pajaritos #1 (2017)
paint on paper, 37.5 x 27.5 inches
Collection, CEART Rosarito
Exhibition History
2017 - CEART ROSARITO Art Fest - Paralelismos Contemporaneos -
Pajaritos #2 (2017)
paint on paper, 37.5 x 27.5 inches
Exhibition History
2017 - CEART ROSARITO Art Fest - Paralelismos Contemporaneos -
Pajaritos #3 (2017)
paint on paper, 37.5 x 27.5 inches
Exhibition History
2017 - CEART ROSARITO Art Fest - Paralelismos Contemporaneos -
Tijuana Bible, No. 1 (2017)
ink and wash on paper, 13 x 18 inches (closed)
Exhibition History
2017 - Residency @ MANA Contemporary Miami - Tijuana Bibles -
Tijuana Bible, No. 2 (2017)
ink and wash on paper, 13 x 18 inches (closed)
Exhibition History
2017 - Sin Titulo (Untitled) - Contemporary Mexican Art -
Tijuana Bible, No. 3 (2017)
ink and wash on paper, 13 x 18 inches (closed) -
Mural—In Memorium: Los Angeles (2017)
acrylic on plaster wall
Exhibition History
2017 - In Memorium: Los Angeles - Group Show / Pacific Standard Time: LA/LA -
Maais (2017)
ink on paper, 10.5 x 8 inches -
Fiesta Guadalupana (2017)
ink on paper, 7 x 10 inches -
Marcha con Carruaje (2017)
ink on paper, 10.5 x 8 inches -
Buen Paso (2017)
ink on paper, 8 x 10 inches -
In Memorium: California Dream (2018)
acrylic on plaster wall
Exhibition History
Museum of Social Justice - Downtown LA -
Mural Performance—Column A and Column B:
A Continual Mural Narrative Performance
acrylic on plaster wall
Mural Performance: 3-17 August 2018
On display through 2021
Arts District Liberty Station - Barracks 14
2770 Historic Decatur Road
San Diego, CA 92106
Learn more about this project > -
La Güera (2018)
graphite, charcoal and acrylic on canvas, 72 x 72 inches
Exhibition History
2018 - 20 Diálogos de Pintores Contemporáneos, El Museo de Arte de Querétaro, Mexico -
Tejedoras (2018)
graphite, charcoal and acrylic on paper, 45 x 45 inches
Exhibition History
2018 - Solo Show | Tijuana Bibles -
Caballito (2018)
graphite, charcoal and acrylic on paper, 45 x 45 inches
Exhibition History
2018 - Solo Show | Tijuana Bibles -
Cometa (2018)
graphite, charcoal and acrylic on paper, 45 x 45 inches
Exhibition History
2018 - Solo Show | Tijuana Bibles -
Gatita (2018)
graphite, charcoal and acrylic on paper, 45 x 45 inches
Exhibition History
2018 - Solo Show | Tijuana Bibles -
Pena (2018)
graphite, charcoal and acrylic on paper, 45 x 45 inches
Private Collection
Exhibition History
2018 - Solo Show | Tijuana Bibles -
Charro (2018)
graphite, charcoal and acrylic on paper, 45 x 45 inches
Exhibition History
2018 - Solo Show | Tijuana Bibles
2018 - Residency @ MANA Contemporary Miami - Tijuana Bibles -
Penitente (2018)
graphite, charcoal and acrylic on paper, 41 x 41 inches
Exhibition History
2018 - Solo Show | Tijuana Bibles
